
The Prince
of Gospel is back and royally good I must
say! John P. Kee has released his long-awaited solo
recording,
The
Color of Music.
Somewhat in the "Kee" of Color Blind
(John’s last solo project - released in 1994) this
latest album delivers all the caliber of the past
with the freshness that today demands.
However, before we get
to John P. Kee: The Color of Music
it’s imperative that we take a quick glimpse back at
Color Blind,
Pastor Kee's second
solo release. It was issue-oriented. The lead single
(title track) dealt with prejudice. Other highlights
include a remake of Stevie Wonder's "Love's in
Need" and we should all remember Rance
Allen's "Salt of the Earth," which also
features Allen. Kee and Allen also teamed up on the
reworking of one of his father's old favorites,
"It's Alright," a traditional tune
reworked in the "kee" of hip-hop; which brings us to
his latest release. Even though it’s set in a
different decade I truly believe that this album
reaches back and answers the first solo project as
the titles cleverly imply: Color blind...The Color
of Music... hey now... I don’t want to
get too deep on you, let’s visit the tracks.
Praise Power
bounds onto the scene with a mildly Carribean flava
that explodes into the classic, raspy harmonized
vocals that Pastor Kee is known for. He’s still
going strong with incredible unfading energy and
dynamism.
In Your Name
allows us to cool down a bit, being mellow and
snazzy at the same time. You’ll really enjoy its
steady rhythmic line and relaxed melodic structure.
We hear crisp female vocals in this one helping to
take a little of the edge of Pastor Kee’s sharp
vocals.
We take a trip with Dark Child and Li’l
Rufus to Groovesville, USA. As if the title,
Dancin’ wasn’t fair warning I
popped the track in and before I knew it I was
getting my groove on - you don’t understand the
miracle in this until you understand the fact that I
DON’T dance - nothing against it I just don’t have
the rhythm to pull it off. I’ll call this one a
dance tutorial because it reaches that "Kirk"
(Franklin) core of everyone. Sizzling beats and a
powerful pulse that revives even the most stagnant
body. Nuff said.
Pastor Kee was born
John PRINCE Kee in 1962 but
Sakiya’s Song
is a love ballad dedicated to the PRINCESS in the
Kee household. It really touched my heart in that it
glows with the embers of a father’s love. Being a
daddy’s girl myself I especially love it and can't
help but reflect on the Father's great love for me.
It;s not just for the ladies though; any of the
brothers with a daughter that has grabbed their
heart - as they always do - will play this one just
to hear the adorable dialogue at the end! Don’t get
nervous this sentimental song is but the creamy
center of a richly-layered truffle. There's lots of
the high-gear, up-tempo vocals raspy stuff that we
Kee fans have craved since the Pastor Kee’s first
project back in 1983. The traditional
"Harvest"
and the more
contemporary
"Encouraged"
and
"I Can't Live Without You",
steadily, readily suit the purpose. Former New Life
Community Choir member Lejuene Thompson joins
Kee! in duet on the gorgeous, slow ballad,
"I-C-U", with Donald Hayes adding gentle
saxophone to the mix. The song tells how Jesus sees
us in every circumstance of life, and might qualify
for many as the album's highlight. The collection is
set apart by Pastor Kee's frequent departure into
previously uncharted territory —all of it tied
together by those immediately recognizable vocals of
his.
For example
I Fly
is incredibly and refreshingly in the "kee" of heavy
metal. I’ve got to give a shout out to Regi Miner
for completely rocking those electric
guitars...my, my, my. Even Pastor Kee got to cut
loose on the acoustic guitar. As I was sitting
encased in such a rich and totally piercing strings
and percussions I realized tow things: 1) My PC
speakers are WAY better than my car stereo and 2)The
implied relationship between the last two solo
titles: Color Blind and The Color of music. I’d been
taken on a journey through many different cultures
and backgrounds all while seated in front of my PC.
I didn’t judge, smirk or turn a deaf ear because I
trust the calling on Pastor John’s life. I see how
he’s used the familiarity and relationship and dare
I say the trust that he has built with his fans as
and instrument to usher us into tolerance,
understanding and even appreciation of all cultures
and types of music.
Music
really sums up the!
soul of the album, asking
"Is it wrong is it right? Is it Black is it
White?
Is it green is it Blue? Is it me is it you?
Why do we compete for what's already ours?"
Helping us to cross the
color lines, be color blind and embrace each other
as one body - the body of Christ. It didn’t hurt
that
I Can’t Live Without You
was playing in the
background while I was typing this - talk about
motivation!

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