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Take note, Gospel fans.
For as of September 7th,
2004 Kierra Kiki
Sheard is no longer
the teenage prodigy
paying dues as a
background singer to mom
and Auntie Doe Doe.
Rather, the youngest
member of Gospel’s
unofficial royal family
is now prepped and ready
for centerstage as a
formidable recording
soloist for EMI Gospel.
This fact is made
abundantly clear on her
signature disk – I
Owe You – a
riveting display of
vocal mastery challenged
only by the production
excellence unfurled by
heavyweights such as
Warryn Campbell (Mary
Mary), Paul Allen
and J Moss (Karen
Clark Sheard,
Dorinda Clark-Cole)
Rodney Jerkins (Mary
J Blige, Whitney
Houston) and her
brother, J. Drew.
It’s an impressive feat,
considering that
Kierra is barely 20,
yet her vocal chops are
quickly drawing
comparisons to an
exclusive class of
contemporaries that
include Kim Burrell,
Kelly Price and
the mama, too – Karen
Clark Sheard.
On her world premiere
release – I Owe You
- Kierra
Kiki Sheard
strikes a delightful
chord through eleven
perfect tracks that are
so well-crafted in
arrangement, so
skillfully produced in
contemporary grooves,
the album is
well-deserving of
attention and billing
among chart-toppers
today, regardless of
genre. Let’s take a
closer look for
evidence.
The album gets off to a
fun-enough start with
You Don’t Know, a
testimony by K.K.
Sheard on the
goodness of God. This
laidback groove by
Rodney Jerkins leaves an
open-door policy for
Kiki
to send her message with
an adlib quality only
Kierra could
deliver. Let Go,
the dance-inducing
delight is sheer hype
gone mad…beats by “Baby
Dub” are sure to bounce
you right through the
Pearly Gates in no time
at all.
On Church Nite,
Kiki gives
a play-by-play rundown
of the week, as young
Christians balance
worldly affairs with
keeping the armor of God
in tact by getting their
tail to church on time.
Paul “PDA” Allen & J
Moss put their vintage
PAJAM stamp on this
chilling track that
flows like butter. Kiki,
now warmed up, flaunts a
little of that God-given
talent with a few riffs
and hollas on Closer,
another new millennium
jam / end-of-time
treasure crafted by the
dynamic duo – J Moss &
Paul Allen.
Praise Offering,
perhaps the finest
selection on the album,
allows Kierra Sheard to
enjoy her gift and
relish in her element,
as she sings the praises
of her Savior in awesome
fashion. With a spirit
and anointing that would
make Dr. Mattie Moss
Clark proud, Kierra
unleashes the depth,
power and versatility of
her voice in an
unforgettable
five-minute span so well
orchestrated by the
PAJAM production team,
you’re likely to lose
your composure on the
spot.
On Sweet Thing,
Miss Sheard gets
dangerously cute with
her tone and delivery on
a sugar-coated
syncopated selection
designed to raise your
senses and soul towards
heaven. Again, the
producer, J. Drew,
provides as
squeaky-clean a track as
anything ever to drop
from Bad Boy or
Rockafella. On War,
Kierra Kiki Sheard
makes a lyrically
compelling case to go to
battle, for
Christ-sake. This
Timbaland-esque track
composed by both
Kierra and J. Drew
is hype-heavy with
enough bumps and beats
to wage holy war on the
enemy in a minute.
After soaking in this
gem, I personally came
to the conclusion that
the album was totally
legit…ready to roll with
the best on the market
today.
But the Jesus-party
wasn’t over yet, as
Kierra runs away
another silky smooth
selection, All I Am,
produced by Warryn
Campbell, which borrows
from that heavenly hook
first delivered by the
SOS Band on the
unforgettable track,
Weekend Girl. Just
sit back, close your
eyes and enjoy this
classic brought back to
life with meaning and
purpose.
At this point in the
album, Kierra
puts on her COGIC hat
and gloves and returns
to the church sanctuary
on Done Did It, a
Sunday safe-haven,
soul-seeking song,
guaranteed to break
stilettos and hardened
hearts through a vocal
assault only Kiki
could unleash.
The album neatly wraps
up…well almost…on a
soulful track called
So Long, mellow
enough music, where
Miss Sheard makes an
open confession that so
many Christians can
identify with…a yearning
desire to return to that
intimate relationship
once shared with the
Lord.
Before farewell tidings
are offered, innovator
and multi-talented
mortal Tonex
lends his blossoming
creative juices to the
final track, more of
that Nureau-mania
designed to put an
exclamation mark on an
already potent project. 
I Owe You
is truly an incredible
debut release for this
much talked-about
artist, whose name and
legacy carries so many
expectations with it.
From label execs to
Clark Sisters fans,
from Motown residents to
the entire
Clark/Moss/Sheard
household, everyone is
praying for Kierra’s
success.
Certainly, everyone knew
Kierra
Kiki
Sheard would deliver the goods on
her first CD?” The
album is public
confirmation on her
unlimited potential as a
Contemporary Gospel
artist and Minister in
the 21st
century. The skies are
really the only limits
on this young lady
who’ll likely carry the
torch on a proud and
remarkable legacy for
many more years to
come. As well, hats off
to all the producers on
this project, who
successfully found a
variety of ways to match
strong production behind
one of the most potent
voices to emerge in
recent years.  |