Men Of Standard (Surrounded)
July 2006, BlackGospel.com
There’s a lot to be said for a name. In the Book of Genesis, around the year 2,000 B.C., the Almighty himself changes Jacob’s name to “Israel,” meaning “one who clings to God.” And in a classic example of rising to the calling of a given name, he became the very father of God’s chosen people.
In the
year 1995 A.D., two of God’s other countless children, Isaac Carree and Lowell
Pye, were young men highly gifted in music and deeply rooted in their faith,
with a passion to serve God in song, and in search of the means to fulfill that
calling. Joining their talents with those of two other similarly skilled
seekers, they found both a sound and a soul connection, and became a gospel
vocal group. But they didn’t truly lock into their exact purpose until they too
were given a name.
“My mother was a very devout woman, and she called us together one day,” Isaac
recalls. “She was very serious. She said, `I have a name for you all, and with
this name there will be no compromise. You will have to stay focused, and be an
example to others. You will be Men of Standard.”
The young foursome—Isaac, Lowell, Bryan Pierce and Michael Bacon—not only took
her seriously, and seriously loved the name, but in one auspicious,
almost simultaneous moment, took on that name that over the next decade would
carry them to the top of the gospel charts, traveling the country singing for
thousands upon thousands of people, and emerging from the ‘90s into the 21st
century as one of gospel music’s hottest and most popular young acts. With each
member both a distinctive and experienced solo vocalist as well as ensemble
member, Men of Standard quickly developed a reputation they maintain to this day
for seamlessly moving into and out of lead and background parts, creating a
variety of vocal sounds and arrangements that few if any other groups can lay
claim to.
Today, Men of Standard—now three in number with the amicable, 2005 departure of
Michael Bacon—celebrate their 10th year of making music together with
their fifth and latest release, Surrounded, which the group
quite emphatically considers to be more than just another great entry on its
already hit-heavy resume.
“We’ve just entered into a new season,” says Bryan. “We have a new producer, a
new album and a new label. It’s a fresh start. We now have a second wind, and
it feels great!”
With the solid support of Sony Gospel/Sony Urban Music, and steered by the
master’s touch of red-hot producer Warryn Campbell (Kayne West, Missy Elliott,
Mary Mary, Michelle Williams), Men of Standard are poised to move to an
altogether new and infinitely higher plateau in their already formidable career.
Under Campbell’s steady and sure hand—as well as his co-writing of seven of the
album’s eleven cuts—Men of Standard combine the contemporary gospel/R&B sound
that has become their signature over the last decade, with an urban, hip-hop
edge, and a handful of beautiful ballads of praise and worship. Add that
together and what you get is indeed fresh and new—exciting and bold—and
decisively, inimitably Men of Standard at every turn. Toss in a few star
turns from cutting-edge kingpins, Kirk Franklin, Tye Tribbett, and rapper Heavy
D, and it’s clear that with Surrounded, Men of Standard have
delivered nothing less than a definitive, career album.
“I Will” is relentlessly driving R&B with a tough, hip-hop bottom end, and
Isaac, Lowell and Bryan singing like their very lives hung in the balance. “A
lot of times you hear people say things like, `I can’t. I won’t. It’s not
possible,’” says Isaac, “but we’re making a promise to God. `Wherever
You tell me to go, I will. If You tell me to do something, I will
do it.’ Its an upbeat jam, but it’s also a command. We’re taking a stand, and
even if no one else will, we will.”
Kirk Franklin joins the group for “Latter Rain,” a gentle but powerful
and passionate ballad. “’Latter Rain’ refers to our blessings, our peace, our
comfort and joy,” Isaac explains. “We are asking God to replenish us, make us
better; restore the joy, remove the pain. Kirk took it to a whole different
level. I think it’s a song that your everyday, Sunday-morning church- goers are
going to really cling to. It’s a strong message.”
“Yours,” featuring powerhouse vocals from guest Tye Tribbett and the entire
group, begins as a soft, reverential ballad that slowly builds from a whisper to
a passionate roar. “So often we get caught up in the things of this earth, and
so comfortable in these bodies, that we start to think we belong to ourselves,”
Isaac says. “This song admits, `I’m used to doing things my way, but I belong
to You. I’m yours, Lord. Do what you will what You want.’”
“Power” pairs a cool, retro-soul groove with punchy, urban muscle. “This
talks about power on two different levels,” Isaac says. “Everyone acknowledges
the power of earthly things…the power in corporate America, and the power of
politicians, but we have a different power to talk about. It’s the real
power in the world; the wonderful, awesome power of God.”
The album’s title song is a smooth and straight, jazzy R&B gem. “`Surrounded’
is a prayer,” Isaac comments. “`Get all around me, Lord, until what people
see in me is You. When people hear my voice I want them to hear Your
message.’ It’s a humbling prayer that it would help everyone to pray.”
All the Men of Standard were raised as classic “church boys,” with lives that
revolved around preaching, music, or other ministries and activities of their
local congregations. In fact, all three had abundant gifts that manifested
themselves at extraordinarily young ages. Brian was preaching by the age of
nine. Lowell was singing with a gospel quartet of grown men when he was four,
dressed in a miniature version of their matching suits and ties, and
Isaac—albeit at the strong prodding of his mother—was standing before the
congregation singing solos by his fifth birthday. Each man has maintained those
childhood commitments into their adult lives, with Brian pastoring his own
church today, and Lowell and Isaac praise & worship leaders at their respective
home churches.
The three grew up in entirely different parts of the country—Isaac in North
Carolina, Lowell in Detroit, and Bryan a native of New Orleans. Isaac and
Lowell first crossed paths in their late teens, under the auspices of gospel
great, John P. Kee, who was working on putting together a male vocal group to
perform with his choir. Though the group never quite made it to realization,
the two young men formed a fast friendship, and cut their teeth in the business
of music during the four years they spent with Kee.
Upon leaving John P. Kee, both took on routine “day jobs” for a while, in a
process that Isaac now reflects on as a time of preparation and molding by God
for the ministry He had in store for them. After only two months, Isaac got a
part in the road company performing several of popular gospel playwright Michael
Matthews productions, where he met and became friends with Bryan. While John P.
Kee’s vision for a male vocal group had fizzled, the idea still had roots in the
spirit and imaginations Isaac and Lowell. Bryan was both a good vocal match and
a willing volunteer. When a mutual friend in Dallas introduced Isaac to
Michael, the last musical piece was in place, and though Isaac laughs today at
the recollection of that group’s early days of “living life on a wing and a
prayer,” it was little more than a year before they had signed a major label
recording deal
That association led to four albums between 1996 and 2004, with the group’s
second effort, the JMoss-produced Feels Like Rain, scoring big in 1998,
peaking at No. 11 on the Billboard magazine gospel chart, and landing two
Stellar Awards. Men of Standard experienced continued success through the
ten-year tenure of that contract, with their final effort, 2004’s It’s A New
Day beating their previous chart high by a point, peaking at No. 11. Still,
the group felt frustrated. Beginning to write and produce more and more of
their albums, from one to the next, they increasingly felt like a young,
progressive vocal group not fully understood by those for whom they worked.
When their contract finally expired in 2004, Isaac says the group felt a sense
of creative freedom simply being an unsigned act for the year of 2005, before
finding the “perfect fit” they were seeking, at Sony Gospel/Sony Urban Music.
In almost immediate prelude to the release of Surrounded,
Men of Standard received massive national exposure as a featured act on the
second leg on Kirk Franklin’s Hero tour, playing to packed coliseums and
arenas across America. And as they prepare for the next giant step forward in
their ongoing journey, their eyes are clearly focused on higher purposes.
“Our albums, and all our songs convey positive messages…that there is a better
way,” Isaac concludes. “We are out here as messengers to show people that Jesus
is real. Living right is real and crucial. When you see us in the malls, in
our homes with our families, in our churches, we want people to see that we live
the life style we sing about. We are faithful to our wives, take care of our
kids, and take care of our homes. We are faithful to our local ministry, pay
our tithes; we do community service work. And we do those things because we
love people, and we love God. It’s not just something you’ll see on stage or
videos, or hear on a CD. It’s the life we live.” ![]()

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